News
PWM Edition scores for Vladimir Ashkenazy
2002-09-03
One of the famous pianists and conductors - Vladimir Ashkenazy - recived scores from PWM.
On September 2nd a great tourneé of Vladimir Ashkenazy with The European Union Youth Orchestra came to its end. After one of the concerts V. Ashkenazy recived the scores of Wojciech Kilar (Piano Concerto and Exodus) and Grażyna Bacewicz (10 etiudes).
Vladimir Ashkenazy has often been quoted as saying that for him music is indivisible. This conviction is borne out by his passionate engagement with so many different aspects of music-making, whether as conductor, piano recitalist or chamber musician or as the architect of large-scale projects encompassing the full range of musical activities.
The first part of his long life as a musician was devoted to the piano. Building on the foundation of his studies at the Central School of Music and Moscow Conservatoire and his success in winning second prize at the Chopin Competition in Warsaw in 1955 and first prizes in the Queen Elizabeth Competition in Brussels in 1956 and the Tchaikovsky Competition in Moscow in 1962, he spent three decades touring the great musical centres of the world, performing an ever-growing repertoire in recitals and concertos and appearing with chamber music partners such as Itzhak Perlman, Pinchas Zukerman, Lynn Harrell, Elisabeth Soederstroem, Barbara Bonney and Matthias Goerne. During this time, he built up one of the largest and most comprehensive recording catalogues of our day, encompassing almost all the major works of the piano repertoire.
From the 1970s onwards, he became increasingly active as a conductor and held positions over the years with the Philharmonia Orchestra (Principal Guest Conductor), Royal Philharmonic Orchestra (Music Director), Cleveland Orchestra (Principal Guest Conductor) and the Deutsches Symphonie-Orchester Berlin (Chief Conductor and Music Director). In addition, he made guest appearances with some of the world's finest orchestras including the Berlin Philharmonic, Boston Symphony, Los Angeles Philharmonic, San Francisco Symphony, Philadelphia and Concertgebouw Orchestras. He continues to have a particularly close and rewarding relationship with the Philharmonia Orchestra whom he led in the immensely successful Rachmaninov Festival at the South Bank Centre in London in May 1999 and in a major tour of the Far East, Australia and Japan in January/February 2000. Projects planned for coming seasons include major series of works by Sibelius and Prokofiev.
In January 1998, Ashkenazy took up the position of Chief Conductor of the Czech Philharmonic Orchestra and since then has devoted himself to a broad range of tours, recordings and special projects with the aim of focussing appropriate attention on this great orchestra with its very rich and individual musical tradition. During the 1999/2000 season which coincided with the 10th anniversary of the Velvet Revolution, they appeared together in Europe, Japan, the United States and South America, performing repertoire at the very heart of the orchestra's history and cultural identity - from Mozart and Mahler to Krasa, Janacek and Martinu. They continue their extensive touring programme in 2000/01 with appearances throughout Europe including the Barbican Centre and the Proms in London, Vienna, Luzern, Germany and Greece.
Alongside his work with the Czech Philharmonic Orchestra, he also now holds the positions of Music Director of the European Union Youth Orchestra and Conductor Laureate of the Philharmonia Orchestra.
Vladimir Ashkenazy also continues to perform in recital throughout Europe, the Far East and America and to add to his recording catalogue with major releases such as the recent critically-acclaimed complete Shostakovich Preludes & Fugues, winner of the 1999 Grammy Award for Best Instrumental Soloist Performance (without orchestra).
Most popular:
Today, 2 December, marks the start of the 18th edition of one of Europe's most prestigious conducting competitions: the Donatella Flick – London Symphony Orchestra Conducting Competition. Grażyna Bacewicz's Concerto for String Orchestra is among the repertoire as an obligatory piece.
This timeless encounter with the music of ‘Poland’s last Romantic’ Tadeusz Baird and with the interpretative feats of NOSPR Polish National Radio Symphony Orchestra features three symphonies and four outstanding conductors in both rediscovered historical and new recordings, released together on a 2CD album from ANAKLASIS.
Iconic songs by Zygmunt Konieczny that audiences of Ewa Demarczyk loved decades ago in a new arrangement by Cezary Duchnowski. The latest ANAKLASIS album with Agata Zubel, Andrzej Bauer, Bartek Wąsik and the National Polish Radio Symphony Orchestra conducted by Alexander Humala is now available for purchase.
The theme of the 37th Krakow International Festival of Composers is music in music. Already in the 1970s, this issue was studied by the outstanding founder of the Krakow Theoretical School, Professor Mieczysław Tomaszewski. He reflected on the subject in an article entitled “At the Opening: why ‘music in music’”, which was published before one of the famous Music Meetings in Baranów.
The theme of Krzysztof Knittel’s work is refuge and the uncertainty and anxiety about the unknown associated with it, as well as the other side of this topic, i.e. the need to provide help and shelter. The text of the oratorio is based on a poem by Tadeusz Sławek. The piece features singing, recitations, choral parts and improvisations based on the traditions of the Middle East. The album was premiered on 15 March during the 11th Festival of Premieres in Katowice.
Musicologists commonly call it “Kras 52” – after the former reference number it was given in the Krasiński Library. It is the most valuable Polish source of medieval polyphonic music, which shaped the soundscape of the court of the first Jagiellons and Kraków at that time. The manuscript is gaining new life now, thanks to a performance edition by Agnieszka Budzińska-Bennett and Marc Lewon. “Krasiński Codex” has just been published by PWM Edition with the support of the Adam Mickiewicz Institute.
Frequent guest of the world’s most famous music venues (New York’s Carnegie Hall and Lincoln Center, Amsterdam’s Concertgebouw, London’s Royal Albert Hall and BBC Proms, Vienna’s Musikverein and Konzerthaus), in February 2021 Bomsori signed an exclusive contract with the prestigious Deutsche Grammophon label. As of this year, she also bears the honourable title of ambassador of Grażyna Bacewicz’s music, which she performs worldwide, promoting the legacy of Poland’s most important woman composer.
The 4CD album featuring songs and instrumental works by the Silesian master goes on sale as of 8 November. Released by the ANAKLASIS music label, it will be premiered on 3 December during a special PWM Edition concert held as part of the 12th International Days of Henryk Mikołaj Górecki at the Silesian Philharmonic in Katowice.
The esteemed American-Canadian jazz musician Michael Bates, his Acrobat Ensemble and the Lutosławski Quartet will perform three concerts in Poland in November. The repertoire will include material recorded by the musicians on the album METAMORPHOSES: VARIATIONS ON LUTOSŁAWSKI, released by ANAKLASIS in the REVISIONS series.
The artists have already successfully presented it at Lincoln Center and Barbès Jazz Club in New York. In autumn 2024 we will have the opportunity to hear them live for the first time in Poland: 14.11 - Krakow, 15.11 - Lublin, 17.11 - Wroclaw.
The Fryderyk Chopin Institute in Warsaw invites to the inaugural session of the biennial International Digital Musicology Conference, which will be held 23–25 October 2024, at the Fryderyk Chopin Institute in Warsaw, Poland. The conference focuses on the integration of digital technologies into musicological research, with a special emphasis on introducing digital tools and methods to the Polish academic community, where digital musicology has not yet been widely adopted.